Author: Gavin Marsh

Beyond the Flight Path When to Use Cable Cam Over Drone

Beyond the Flight Path When to Use Cable Cam Over Drone

During the Super Bowl broadcast, millions of viewers watch dynamic, low-altitude tracking shots soaring inches above athletes’ helmets. What most viewers do not realize is that despite multi-million-dollar production budgets, these shots are rarely captured by uncrewed aerial vehicles. When evaluating when to use cable cam over drone setups, top-tier cinematographers consistently choose suspended wire […]
How to Power Remote Cable Cam Systems Without Losing a Shot

How to Power Remote Cable Cam Systems Without Losing a Shot

A cable cam can have plenty of battery capacity and still fail if the voltage is wrong, the ESC cannot handle peak current, or the receiver resets during acceleration. Learning how to power remote cable cam systems is less about buying the biggest battery and more about matching the electrical chain. A Remote Cable Cam […]
film rigging hardware load ratings explained

Film Rigging Hardware Load Ratings Explained

A 2,000-pound shackle does not automatically mean you can hang a 2,000-pound load from it. Change the pull direction, sling angle, hitch, temperature, or connected component, and that usable capacity may change. That is the point I keep front and center when looking at film rigging hardware load ratings explained correctly: the number stamped onto […]
Handheld Camera Movement Techniques for Cinematic Results 

Handheld Camera Movement Techniques for Cinematic Results 

Some of the most memorable shots in film are not perfectly smooth. They move with the character, react to the action, and make the audience feel physically present inside the scene. That is the real strength of handheld camera movement techniques.  When used with control, handheld shooting can add urgency to an action sequence, intimacy […]
Solving Rigging Challenges During a Commercial Shoot

Solving Rigging Challenges During a Commercial Shoot

I have learned that the most impressive commercial shots rarely begin with equipment. They begin with a creative request: suspend a light where no stand can fit, move a camera around a vehicle, or illuminate a set without placing gear in the frame. The crew must then turn that request into a safe, repeatable setup. […]
Cable Camera System Safety Guidelines for Real Productions

Cable Camera System Safety Guidelines for Real Productions

A cable camera can look safest when its line is pulled extremely tight, but tighter is not automatically safer. Line tension, support reactions, payload, operating geometry, and emergency braking all affect the forces traveling through the system. That is why cable camera system safety guidelines should begin with the entire load path, not simply the […]
shackle and sling safety for film rigging

Shackle and Sling Safety for Film Rigging: What Fails First

A shackle can look perfect and still be wrong for the load path. A sling can carry the weight on paper and still fail where it folds over a fitting. That is why shackle and sling safety for film rigging must be checked as a complete connection, not as separate rated parts. When I review […]
Planning High-Speed Tracking Shots for a Live Event Production

Planning High-Speed Tracking Shots for a Live Event Production

I love the energy a moving camera can bring to a concert, conference, performance, or sporting event. A well-executed tracking shot can carry viewers directly into the action instead of leaving them watching from a distance. However, live productions allow no second takes.  I have found that successful planning high-speed tracking shots for a live […]
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