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Author: Gavin Marsh

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Planning Camera Positions for a Multi-Camera Production

Planning Camera Positions for a Multi-Camera Production

July 26, 2026
I have learned that a successful multi-camera shoot begins long before anyone presses record. Adding more cameras does not automatically create better coverage. Every position needs a clear purpose, a usable sightline, and a shot that complements the other angles.  When I plan a production, I start with the action, establish a dependable master angle, […]
How to Secure Film Equipment Above Performers Safely

How to Secure Film Equipment Above Performers Safely

July 26, 2026
The instant a light, camera, microphone, monitor, or accessory goes over talent, I stop treating it like ordinary mounting. Knowing how to secure film equipment above performers means planning for failure before anyone stands beneath the rig. I want a rated primary mount, a suitable support point, independent secondary retention where required, secured accessories, and […]
Can Cable Cams Work Indoors Setup, Safety & Rules

Can Cable Cams Work Indoors? Setup, Safety & Rules

July 25, 2026
When the Federal Aviation Administration (FAA) tightened Part 107 regulations for flight over crowds, live indoor broadcast producers faced a sudden roadblock. Flying heavy camera drones inside crowded basketball arenas, convention halls, and soundstages became a massive legal and safety headache. To capture smooth, sweeping overhead shots, operators turned back to a battle-tested mechanical solution: […]
Filming in Extreme Conditions With Specialized Production Gear

Filming in Extreme Conditions With Specialized Production Gear

July 25, 2026
I have learned that an extreme location does not forgive casual preparation. A camera that performs perfectly in a studio can overheat in a desert, lose power on a frozen mountain, or develop internal condensation after entering a humid building.  When planning filming in extreme conditions with specialized production gear, I treat the camera as […]
Overhead Rigging Clearance Requirements For Film Sets

Overhead Rigging Clearance Requirements For Film Sets

July 25, 2026
When I review a film-set rigging plan, I check clearance before trim height. A rig can carry its load and still be unsafe because it sits too close to power lines, sprinklers, beams, ducts, or people. Overhead rigging clearance requirements for film sets therefore combine electrical separation, fire protection, sling geometry, load control, and clear […]
Safe Rigging Practices Around Actors and Crew on Set

Safe Rigging Practices Around Actors and Crew on Set

July 24, 2026
I become far more conservative with rigging the moment performers or crew enter the load area. Safe rigging practices around actors and crew are not simply about choosing strong hardware. They depend on controlling where people stand, how loads move, who gives commands, and what happens if one component fails. A rig can meet its […]
Capturing Overhead Footage Without Using Drone

Capturing Overhead Footage Without Using Drone

July 24, 2026
I have always liked overhead footage because it can make an ordinary location feel carefully designed and cinematic. A straight-down view reveals shapes, movement, spacing, and patterns that are difficult to appreciate from eye level.  Fortunately, capturing overhead footage without using a drone does not require an expensive aircraft or advanced piloting skills. A tripod […]
Cable Camera Maintenance Best Practices for Reliable Shoots

Cable Camera Maintenance Best Practices for Reliable Shoots

July 24, 2026
A cable camera can look perfectly healthy minutes before a small defect becomes a failed run, noisy feed, damaged connector, or unsafe rigging condition. That is why cable camera maintenance best practices should focus on finding stress before it becomes failure. The most useful habit is to inspect the load-bearing system separately from the camera’s […]
AI-Assisted Camera Systems and the Future of Smarter Filmmaking

AI-Assisted Camera Systems and the Future of Smarter Filmmaking

July 24, 2026
I started noticing how quickly camera technology was changing when autofocus stopped feeling like a simple setting and started behaving more like a second set of eyes. A camera could recognize a person, follow their movement, and keep adjusting focus without needing constant input. That made me curious about what was actually happening inside these […]
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