Author: Gavin Marsh

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Installing an Aerial Cable Camera Over a Stadium

Installing an Aerial Cable Camera Over a Stadium

July 9, 2026
I have always been fascinated by the smooth aerial footage shown during major sporting events. These shots appear effortless, but an enormous amount of engineering, testing, and coordination happens before the camera ever leaves the ground.  This case study of an aerial cable camera installed over stadium grounds examines how a suspended camera system can […]
Lightweight Camera Stabilizer Tips for More Stable Footage

Lightweight Camera Stabilizer Tips for More Stable Footage

July 9, 2026
I noticed the biggest difference between a good handheld shot and a frustrating one often has nothing to do with the camera itself. A few seconds of walking, turning, or following a subject can introduce tiny movements that become painfully obvious when the footage is played back. After working with different camera setups, I found […]
How Spidercam Works in Stadium Sports Inside the Rig

How Spidercam Works in Stadium Sports: Inside the Rig

July 9, 2026
A stadium camera can move much faster than it looks on television. Beckhoff documented Spidercam speeds of up to 9 meters per second, about 20 mph, on one generation of the system. Yet the camera is not flying under its own power; coordinated winches and cables pull it through space. That is the key to […]
Push-In vs Zoom: What’s the Real Camera Movement Difference?

Push-In vs Zoom: What’s the Real Camera Movement Difference?

July 8, 2026
A character realizes something is wrong. The camera starts closing in. The room seems to disappear, the face fills the frame, and suddenly the scene feels more intense. But what actually created that moment—a moving camera or a changing lens? That is where push-in vs zoom camera movement becomes more than a technical filmmaking question. […]
Lessons Learned From Large-Scale Cinematography Project

Lessons Learned From Large-Scale Cinematography Project

July 8, 2026
I entered this production believing that strong preparation would protect us from most problems. I quickly discovered that scale changes everything. More crew members, locations, equipment, approvals, and deliverables created hundreds of opportunities for small issues to become expensive delays.  These lessons learned from large-scale cinematography project helped me understand that successful cinematography depends on […]
What You Need to Know Before Building an External RAW Recording Setup

What You Need to Know Before Building an External RAW Recording Setup

July 8, 2026
I have found that building an external RAW recording setup looks simple until all the pieces have to work together. A camera, monitor-recorder, cable, storage drive, batteries, and a few mounting accessories can quickly turn a compact camera into a much larger rig. The real challenge is not buying the most expensive equipment. It is […]
Spidercam vs Drone for Live Sports Tech, Safety, FAA Rules

Spidercam vs Drone for Live Sports: Tech, Safety, FAA Rules

July 8, 2026
During a prime-time NFL broadcast, a suspended cable camera rig flies at 20 miles per hour just six feet above a quarterback’s helmet, carrying a 50-pound broadcast camera setup with zero risk of falling into the crowd. Try doing that with a battery-powered quadcopter, and federal regulators will shut down your live feed before kickoff. […]
temporary truss rigging safety for film production

Temporary Truss Rigging Safety For Film Production

July 7, 2026
When I review a temporary overhead truss plan, I start with one question: where does every pound go after it leaves the fixture? That catches more bad assumptions than staring at a truss chart alone. Temporary truss rigging safety for film production depends on the full load path: fixture, clamp, truss, sling, hoist, support point, […]
Camera Movements for Cinematic Video: 15 Pro Techniques 

Camera Movements for Cinematic Video: 15 Pro Techniques 

July 7, 2026
A cinematic shot can change the way a scene feels before a single word is spoken. A slow push toward a nervous face can build tension, while a sudden pullback can make the same character feel small and exposed. That is the power of camera movements for cinematic video—they turn motion into emotion. When I […]
Production Breakdown of a Multi-Camera Live Event

Production Breakdown of a Multi-Camera Live Event

July 7, 2026
I have always believed that a polished live broadcast begins long before the director calls for the first camera. Every angle, cable, microphone and backup system must have a clear purpose.  In this production breakdown of a multi-camera live event, I will explain how a professional team can plan, produce and deliver an engaging broadcast […]
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