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Author: Gavin Marsh

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Choosing Between Different Types of High-Speed CFexpress Cards

Choosing Between Different Types of High-Speed CFexpress Cards

July 17, 2026
I started paying closer attention to CFexpress cards when camera specifications began putting more emphasis on sustained write speeds, RAW recording, and high-bitrate video. On paper, two cards can look almost identical, yet behave very differently once a camera starts pushing large amounts of data. The biggest surprise is that the fastest number printed on […]
Static Shot vs Moving Camera Shot: Which One Wins on Set?

Static Shot vs Moving Camera Shot: Which One Wins on Set?

July 17, 2026
A camera can stay perfectly still and make a scene feel electric, or glide through space and pull viewers into the action. When I compare static shot vs moving camera shot, I do not ask which looks more cinematic. I ask which gives the audience the clearest emotional experience. That choice affects composition, pacing, depth, […]
The Smart Way to Build a V-Mount Battery Setup for Filmmaking

The Smart Way to Build a V-Mount Battery Setup for Filmmaking

July 16, 2026
I used to think adding a V-mount battery to a camera rig was mostly about getting more runtime. After working with larger camera builds, I found that the battery affects much more than how long the camera stays on. Its weight, mounting position, output options, cable routing, and voltage all change how practical the rig […]
Abandoning Optical Fiber Cable for Camera Transmission

Abandoning Optical Fiber Cable for Camera Transmission

July 16, 2026
Standard HDMI and SDI cables hit a literal wall at roughly 300 feet. Push a uncompressed 4K or 8K cinema feed any farther over traditional copper, and signal degradation, frame drops, and severe latency take over. When long-range video transmission demands pristine quality, upgrading to an optical fiber cable for camera transmission is no longer […]
Film Set Hoisting Safety Procedures Crew Checklist

Film Set Hoisting Safety Procedures: Crew Checklist

July 16, 2026
A suspended truss, camera platform, lighting array, or set piece can turn a routine setup into a falling-object hazard in seconds. I treat film set hoisting safety procedures as a controlled sequence: calculate the load, verify every component, isolate the fall zone, test the system, and only then authorize movement. For U.S. productions, requirements vary […]
Remote Camera Systems Used for Wildlife Filming

Case Study: Remote Camera Systems Used for Wildlife Filming

July 16, 2026
I once believed that patience and a long lens were enough to capture secretive animal behavior. That assumption changed when I examined a remote filming project conducted in a protected temperate wetland. The crew needed intimate nocturnal footage without placing operators near the animals’ feeding corridor.  This case study of remote camera systems used for […]
Remote Camera Control System: A Smarter Way to Run Modern Shoots

Remote Camera Control System: A Smarter Way to Run Modern Shoots

July 15, 2026
I first noticed how much time camera crews can lose when a camera is mounted somewhere awkward and every small adjustment requires someone to physically reach it. A shot may look simple from the control room, but changing focus, exposure, or framing can become a real interruption when the camera sits high above a stage, […]
How to Fix Camera Video Signal Loss A Troubleshooting Guide

How to Fix Camera Video Signal Loss: A Troubleshooting Guide

July 15, 2026
Over 60% of all camera video dropouts stem not from broken image sensors, but from subtle, unseen voltage drops or signal degradation along the transmission line. Whether you are running an industrial SDI broadcast setup, a commercial surveillance network, or a high-end cine rig, a dark monitor screen rarely means a dead camera. Learning how […]
Safe Lifting Practices for Film Production Crews Guide

Safe Lifting Practices for Film Production Crews: Guide

July 15, 2026
A rushed equipment move can end with a strained back, crushed foot, or dropped camera case. I have found that safe lifting practices for film production crews work best when crews treat every lift as a planning task, not a strength test. The goal is to reduce force, keep loads controlled, and avoid exposing people […]
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