Author: Gavin Marsh

How 4x5.65 Filter Systems Fit Into a Modern Cinema Camera Setup

How 4×5.65 Filter Systems Fit Into a Modern Cinema Camera Setup

July 27, 2026
I started paying more attention to filtration once cinema camera rigs became more modular. A camera body might change from one production to the next, but the matte box, filter trays, and glass often remain part of the same workflow. That made me realize that choosing a filter size is less about buying another accessory […]
rigging hardware inspection intervals for film production

Rigging Hardware Inspection Intervals For Film Production

July 27, 2026
A rigging component does not become safe simply because its annual inspection sticker remains valid. On a working set, hardware can face repeated loading, relocation, weather, vibration, impacts, and rushed changeovers within a few days. That is why I treat rigging hardware inspection intervals for film production as a combination of scheduled inspections and event-triggered […]
film set rigging emergency procedures

Film Set Rigging Emergency Procedures: Crew Safety

July 27, 2026
A rigging emergency can become dangerous before anyone has time to debate the next move. Effective film set rigging emergency procedures define who stops work, clears the hazard zone, controls energy, and calls emergency services. When I assess a set safety plan, I ask one question first: can the crew act correctly in the first […]
Adapting a Custom Camera Rig for an Unusual Filming Location

Adapting a Custom Camera Rig for an Unusual Filming Location

July 27, 2026
I have learned that the most memorable shots rarely come from convenient places. A narrow corridor, low ceiling, unstable surface, remote structure, or restricted interior can make a standard camera setup impossible. When I approach adapting a custom camera rig for an unusual filming location, I begin with the desired image—not the available equipment. The […]
Why Is Camera Video Flickering Light Sync and On-Set Fixes

Why Is Camera Video Flickering? Light Sync and On-Set Fixes

July 27, 2026
Your eyes process around 30 to 60 visual updates per second, creating the illusion of continuous light. Artificial light sources, however, do not output continuous energy. Standard indoor fixtures turn off and on dozens or hundreds of times every single second. When cinematographers and video creators ask why is camera video flickering, the root cause […]
List of Filmmaking Tools Worth Buying in 2026 for Every Kind of Shoot

List of Filmmaking Tools Worth Buying in 2026 for Every Kind of Shoot

July 26, 2026
I have noticed that filmmaking gear has become less about owning the biggest camera and more about building a setup that keeps a production moving. A compact camera can now handle serious video, wireless audio can protect a take from unexpected volume changes, and software can remove hours of repetitive production work. That shift has […]
How Fast Can Cable Cams Fly Real Speeds Behind Aerial Shots

How Fast Can Cable Cams Fly? Real Speeds Behind Aerial Shots

July 26, 2026
A professional cable camera can move faster than many people expect. The quickest systems publish top speeds around 43–45 mph, while stadium systems operate closer to 29 mph and portable rigs can be much slower. So, how fast can cable cams fly? The useful answer depends on the drive system, payload, line length, slope, wind, […]
Planning Camera Positions for a Multi-Camera Production

Planning Camera Positions for a Multi-Camera Production

July 26, 2026
I have learned that a successful multi-camera shoot begins long before anyone presses record. Adding more cameras does not automatically create better coverage. Every position needs a clear purpose, a usable sightline, and a shot that complements the other angles.  When I plan a production, I start with the action, establish a dependable master angle, […]
How to Secure Film Equipment Above Performers Safely

How to Secure Film Equipment Above Performers Safely

July 26, 2026
The instant a light, camera, microphone, monitor, or accessory goes over talent, I stop treating it like ordinary mounting. Knowing how to secure film equipment above performers means planning for failure before anyone stands beneath the rig. I want a rated primary mount, a suitable support point, independent secondary retention where required, secured accessories, and […]
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PhotoShip One shares expert cinematography guides on camera movement, cable-cam systems, and rigging safety for production crews.

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